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A new disc could also give Universal the chance to include all the extras of Casino (and maybe some new ones) properly on a single disc. The extras from the 2 disc DVD special edition have been weirdly split between the HDDVD and the blu ray release - the HDDVD has about half of them while the blu ray has the other half.
There are also previews for the special edition DVD of The Big Lebowski, the remake of Assault On Precinct 13, and the first three seasons of Northern Exposure that play before the feature on side one, but the disc does allow you to bypass them by hitting the menu button on the remote control. An insert inside the keepcase contains.
I've been buying blu-rays for about 7-8 months now and collecting most of the movies that I've been wanting to watch so far. One of the great things about owning the actual blu-ray are some of the special features that come along with it.

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MLA does not give a specific format for citing director commentary on DVD, but here is an excellent—if I do say so myself—paradigm to follow: Gondry, Michel and Charlie Kaufman. Audio commentary. Eternal Sunshine of the Spotless Mind. Dir. Gondry. Perf. Jim Carrey, Kate Winslet, and Kirsten Dunst. Focus Features, 2004. DVD.
Many DVD releases are marketed using the special features as a sales hook. Some films release a DVD with few or no extras and later release special editions with loads of additional material. The presence of special features gives an added value to your DVD product and offers the viewer a more involved viewing experience.
There are also previews for the special edition DVD of The Big Lebowski, the remake of Assault On Precinct 13, and the first three seasons of Northern Exposure that play before the feature on side one, but the disc does allow you to bypass them by hitting the menu button on the remote control. An insert inside the keepcase contains.

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English Descriptive Audio: English DTS-HD Lossless Master Audio 5.
Sure, any viewer familiar with Scorsese's oeuvre may experience a bit of deja vu, but the freshness of the setting and a newfound infusion of sexual intrigue help offset any stale residue let by 'Casino's borrowed parts.
Because the story's effectiveness absolutely depends on where the characters take us or, rather, how far they will plummet in debasing themselvesI won't describe too much of the plot beyond the set up.
It's 1973 in Las Vegas, a time long before Celine Dion's arrival signaled the city's Disney-fication.
Instead, Vegas is a city glittering with greed and smudged with the dirty fingerprints of mob corruption.
It's also a hell that welcomes with open arms two rising casino kingpins -- a duo of common thugs that in any other city would be eaten for breakfast by Don Corleone.
Lifelong friends Ace Rothstein Robert De Niro and Nicky Santoro Joe Pesci have just switched turf to Las Vegas to make their mark and live the high-life.
Crime's answer to Ying and Yang if the mob mentality had such spiritual dimensionsAce becomes the smooth operator of quasi-legit Tangiers casino, while Nicky takes on the self-appointed role of circus strongman, shaking down the locals when it's time to pay up.
But in Scorsese's world everyone has a fatal flaw, and for Ace and Nicky, it will be love -- or for the more cynical, plain old lustful obsession.
Never trust a conniving, backstabbing call girl named Ginger McKenna, especially if she looks like Sharon Stone.
As the greed, passions and deceptions chip away at Ace and Nicky's boyhood bonds, their dreams threaten to collapse like a house of cards.
They say the odds are never in your favor in Vegas, so one can forgive Scorsese for stacking his deck.
I'll admit that in 'Casino' he does borrow, or at least mirror, the visual fireworks that seemed so fresh in 'GoodFellas.
Each is slick, fast-paced, powered by a period soundtrack of classic tunes and filled with visit web page bravura camera moves for ten other movies.
Yet I remain in the minority of viewers who actually prefer 'Casino' over its more acclaimed cinematic soul brother.
Perhaps it's because, unlike 'GoodFellas,' which focused solely on the rise and fall of Henry Hill, here the spiritual corruption is spread equally between Ace and Nicky.
And Stone, in a career high as Ginger, proves that she's an even better actress when her legs are crossed.
Ginger is the powderkeg that ignites a partnership already on the brink of exploding, which for my taste makes 'Casino' a lot more fun and narratively twisty and melodramatic in its excesses than any previous Scorsese flick.
How can you not love a movie that features a point-of-view shot through a cocaine straw?
And the only thing more fun than watching one mobster in 'GoodFellas' get his is watching two screw each other over for a hooker and a percentage point.
It's also nice read article see Scorsese spicing up his usual boys club with Stone, who again so "sizzles" up the screen that for once the back-of-the-box proclamation isn't mere hyperbole.
Unfortunately, I still have some problems with Scorsese's penchant for onscreen violence.
I know, I know, I sound like Michael Medved.
Even 'Casino's now-infamous "vice torture" scene notwithstanding, all the bloodletting felt gratuitous long ago.
Rather than gingerly applied a la ''The Godfather' to add the proper Grand Guignol-meets-Italian Opera bravura, or -- as Scorsese himself did so effectively in '' --- confining it to a single scene of orgiastic release as a legitimate storytelling device, in 'Casino' there seems to be an almost gleeful preoccupation with brutality that I find juvenile an indulgence that also mars 'GoodFellas' and 'Gangs of New York'.
And as great a pair as De Niro and Pesci make onscreen what ever happened to the latter's career, anyway?
We know Pesci's Nicky is as fragile as he is psychopathic, and I understood how his self-possession led to his violent outbursts -- I just didn't need to see every one of them.
But even discounting the moments of 'Casino' that I couldn't watch because I was cowering behind my fingertips, I enjoyed the hell out of the rest of it.
In my original review of the HD DVD of 'Casino,' I raved about the transfer's quality.
The film got a nice restoration for standard-def DVD back in 2007, that master serves as the basis for the high-def version.
The image looks glittery and glamorous, thanks both to the high-resolution and Robert Richardson's sterling cinematography.
Blacks and strong contrast give the picture real snap, crackle and pop -- I loved watching Scorsese's camera march through akwesasne casino ny casino floor like that little kid on his big wheel in Kubrick's '.
And yes, during that "the muffin has many blueberries" scene, you can count each one.
Colors are excellent, with rich hues solid and free of noise.
Fleshtones are also spot-on, with Sharon Stone never looking more turtle casino palms and lovely.
Sure, I could complain -- some scenes are a bit overly-contrasted with bloomy whites, and shadow delineation can suffer ever-so-slightly due to crushed blacks.
But this is minor stuff -- in terms of picture quality, 'Casino' hits the jackpot on Blu-ray.
Because he's considered such a visual stylist, it's often overlooked how expertly Martin Scorsese also assembles the soundtracks to his films.
More than just the composer he selects or the "songtracks" he creates, the way Scorsese combines and balances the various sonic elements is truly craftsman-like.
Though it may not be overpowering like a big action flick, 'Casino' is so finely-attuned it is worth considering as demo material for those who appreciate subtlety over bombast in their home theater soundtracks.
Universal has gone one-better than the HD DVD's Dolby Digital-Plus track and given us a full-blown English DTS-HD Lossless Master Audio 5.
The upgrade is a fair one.
I was surprised at how full-bodied and spacious dynamics were the last time around, but here the high-end is a tad brighter and mid-range fuller.
Surround activity remains flush with sustained ambiance, which is slightly more robust on the DTS-MA.
Discrete sounds are frequently directed to individual speakers with seamless pans, and great use of songs helps to create a strong 360-degree soundfield.
Quieter moments in the film still feel front-directed, but there remains subtle use of atmosphere which is wonderfully well-modulated and click to see more />Dialogue is also perfectly balanced in the mix.
This isn't a big-budget action movie, but 'Casino' still delivers audio that is perfectly suited to the material.
Here we go again.
Per its recent trend, Universal has cut up much of the making-of material found on the HD DVD of 'Casino' and repurposed it as a Blu-ray-exclusive picture-in-picture commentary.
This time, the featurettes android game application project proposal on the very spiffy anniversary DVD re-issue of 'Casino' are now ported over to the exclusive section below, which leaves the standard suite of extras feeling a bit undernourished by comparison.
However, Universal has included a pair of TV specials that were left off of the HD DVD, casino dvd special features in the end, the Blu-ray still offers a bit more.
Which is fine -- a good deal of information that was cut out of the docs is here.
But there's also plenty click is the same, so about half of the content is redundant.
This may be seen as a plus if you pick just one or the other to sit through, but rather extraneous together.
As for which is better, though I prefer the video supplements as I'm a visual guy, you could just as easily toss a coin.
The first special, "Vegas and the Mob" a scant 13 minutes was produced for NBC and is strong on background detail if quite cheesy.
Forget the news anchor who acts as if this is some bad "America's Most Wanted" cast-off, and otherwise this is an enjoyable look at the history of organized crime in Las Vegas.
Bugsy Siegel gets most of the screen time, and a host of historians, lawyers and government officials are interviewed, and interspersed with archival material.
This is even cheesier, with silly reenactments of past events along with much stronger archival stills and film footage.
Pileggi is the focus, especially his relationship with Henry Hill that formed the basis for 'GoodFellas,' which led android game application project proposal 'Casino.
Who can argue with Don Rickles, or Scorsese's own mother Catherine chastising her son for use of the F-word?
As for the quality, it's fine if not great, presented here in 4:3 pillarboxed 480i video.
This fresh Blu-ray version is the equal to the previous HD DVD in terms of video, and even better with audio thanks to the inclusion of a high-res track.
I'm still not entirely sold on Universal's obsession with repackaging the old extras as cobbled-together picture-in-picture exclusives, but at least the content is here in some form.
Bottom line, 'Casino' on Blu-ray is well recommended.
Portions of this review also appear in our coverage of Dunkirk on Blu-ray.
This post features unique Vital Disc Stats, Video, and Final Thoughts sections.
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Casino HD DVD Review | High-Def Digest Casino dvd special features

Casino HD DVD Review | High-Def Digest Casino dvd special features

I've been buying blu-rays for about 7-8 months now and collecting most of the movies that I've been wanting to watch so far. One of the great things about owning the actual blu-ray are some of the special features that come along with it.
Casino on DVD (025192015922) from Universal. Directed by Martin Scorsese. Staring Robert De Niro, Don Rickles, Alan King and James Woods. More Drama, Based-On-A-True-Story and Mobsters & The Mafia DVDs available @ DVD Empire.
"Casino" doesn't achieve the same level of cinematic excellence as "Goodfellas," "Taxi Driver" or "Raging Bull," but when compared to a majority of the other films of that particular decade, "Casino" is A-grade filmmaking at its best. Single-Disc Blu-Ray Review:


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